Friday, June 5, 2009
From The Conspiracy of Art by Jean Baudrillard
Reading this amazing book, critical art theory/philosophy/commentary on modern art from Jean Baudrillard and it really says more about a greater societal problem and a context for understanding objects/the image. Forgive me if I am going to far, but let me give you this piece with little context:
"Yes. The question of obesity was raised in Venice and I said: "There is too much of art. But this is not only true for art: there is too much of too much. And that may well be a form. Francesco Bonami, the head of the Veince Biennale, didn't agree and we did a little scene together about it. 'How can there be too much?' said Bonami. 'You can never have enough of a good thing.' And I countered, 'And obesity? You don't think there's a pathology in there, do you?' 'The more body, the better it is,' he replied. Well, no, that's not true. A body has a form, it has measurements, a symbolic space, an initiatory form. Form is all of that. I believe a limit does exist. But you can only say it from the outside, if you are talking in terms of form, not of art. You can do the same kind of analysis with information, consumer habits, everything that is part of a linear process of production and accumulation. More is notbetter. So everything is moving towards this kind of reversal. It's inescapable."
-The Conspiracy of Art, Jean Baudrillard, 2005, published by Semiotext(e)